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Culture --- Life in literature. --- Life. --- Philosophy.
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Psychology in literature. --- Self in literature. --- Spiritual life in literature.
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Kathleen Parth offers the first comprehensive examination of the controversial literary movement Russian Village Prose. From the 1950's to the decline of the movement in the 1970's, Valentin Rasputin, Fedor Abramov, and other writers drew on "luminous" memories of their rural childhoods to evoke a thousand-year-old pattern of life that was disappearing as they wrote. In their lyrical descriptions of a vanishing world, they expressed nostalgia for Russia's past and fears for the nation's future; they opposed collectivized agriculture, and fought to preserve traditional art and architecture and to protect the environment. Assessing the place of Village Prose in the newly revised canon of twentieth-century Russian literature, Parth maintains that these writers consciously ignored and undermined Socialist Realism, and created the most aesthetically coherent and ideologically important body of published writings to appear in the Soviet Union between Stalin's death and Gorbachev's ascendancy. In the 1970's, Village Prose was seen as moderately nationalist and conservative in spirit. After 1985, however, statements by several of its practitioners caused the movement to be reread as a possible stimulus for chauvinistic, anti-Semitic groups like Pamyat. This important development is treated here with a thorough discussion of all the political implications of these rural narratives. Nevertheless, the center of Parth's work remains her exploration of the parameters that constitute a "code of reading" for works of Village Prose. The appendixes contain a translation and analysis of a particularly fine example of Russian Village Prose--Aleksei Leonov's "Kondyr."
Country life in literature. --- Russian fiction --- History and criticism.
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The book locates questions of languages, genre, textuality and canonicity within a historical and theoretical framework that foregrounds the emergence of modern nationalism in Egypt. The ways in which the cultural discourses produced by twentieth century Egyptian nationalism created a space for both a hegemonic and counter-hegemonic politics of language, class and place that inscribed a bifurcated narrative and social geography, are examined. The book argues that the rupture between the village and the city contained in the Egyptian nationalism discourse is reproduced as a narrative dislocatio
Arabic fiction --- Country life in literature. --- History and criticism.
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This book explores the ways in which English writer A. S. (Antonia) Byatt's visual still lifes (descriptions of real or imagined artworks) and what are termed 'verbal still lifes' (scenes such as laid tables, rooms and market stalls) are informed by her v
Still-life in literature. --- Byatt, A. S. --- Criticism and interpretation.
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The Oresteia is permeated with depictions of the afterlife, which have never been examined together. In this book, Amit Shilo analyzes their intertwined and conflicting implications. He argues for a 'poetics of multiplicity' and a 'poetics of the beyond' that inform the ongoing debates over justice, fate, ethics, and politics in the trilogy. The book presents novel, textually grounded readings of Cassandra's fate, Clytemnestra's ghost scene, mourning ritual, hero cult, and punishment by Hades. It offers a fresh perspective on the political thought of the trilogy by contrasting the ethical focus of the Erinyes and Hades with Athena's insistence on divine unity and warfare. Shedding new light on the trilogy as a whole, this book is crucial reading for students and scholars of classical literature and religion.
Future life in literature. --- Greek literature --- History and criticism. --- Aeschylus. --- Aeschylus --- Future life in literature --- History and criticism
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Best remembered for his unfinished epic, the Aeneid, the poet Vergil was celebrated in his time both for the perfection of his art and for the centrality of his ideas to Roman culture. The Eclogues, his earliest confirmed work, were composed in part out of political considerations: when the Roman authorities threatened to seize his family's land, Vergil's appeal in the form of Eclogue IX won a stay. Eclogue I appears to be a thank-you for that favor. Barbara Hughes Fowler provides scholars and students with a new American verse translation of Vergil's Eclogu
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